Does Jess Glynne need her hand holding after Isle Of Wight Festival ban?

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Glynne on stage

Pop star Jess Glynne has been sparking a lot of bad press lately after pulling out of her Isle Of Wight Performance just hours before her stage slot. She attributed her unprofessional conduct to “anxiety and exhaustion” but has been accused of partying until 7am with the Spice Girls the night before her show.

 

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Jess Glynne with Adele and The Spice Girls the night before her planned gig

Her team reportedly had already set the stage but fans were left disappointed after festival organiser John Giddings came to the stage and announced the last minute cancellation, as a consequence to this, Glynne has been given a lifetime ban with Giddings saying “She will never be booked to play the Isle Of Wight again.”

When I first heard this story on the radio I was absolutely appalled. Pulling out of a booked performance or press engagement is something you don’t do at any level but when you’re meant to be working at the top of the industry, it’s even more disgraceful. Of course, the anxiety and exhaustion claim could be legitimate, especially as this isn’t the first time she has cancelled a gig, the last time being the BBC Radio 1 Big Weekender.  On the flip side though, she could just be losing her touch.

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The Isle Of Wight Festival 2019 was a success despite Glynne’s refusal to perform

A friend of mine and I were discussing wether Isle Of Wight made the right decision in handing her the lifetime ban with him making the point that they have missed the opportunity to “leverage one of the top charting artists of today”. When I asked what was meant by “leverage” he suggested that he would’ve negotiated a situation for 2020 in which Glynne performs for a much reduced fee and explained that this would benefit both parties as “they would’ve saved themselves quite a bit of money and fans still would’ve been able to see their favourite performer on stage, albeit a year later.

Now, I could see how the suggestion could work very well but I make the argument that Giddings did the right thing to send a message to other stars that a cancellation this late for a festival of this magnitude would be met with extreme consequences and I can predict that no other artist will pull a stunt like Glynne has.

It does seem to me that the once well respected singer is starting to create a bad name for herself with top level players and if I were her management I’d get a grip on the situation quickly and seriously assess Jess’ ability to keep a handle on her career. We of course, can only speculate as to the circumstances of Glynne’s actions and hope that nothing like this happens again.

One thing is certain, the star has some bridges to rebuild if she wants to continue making a name for herself in an already cut-throat business. She’s already issued a public apology stating  it was ‘not her intention to let fans down but she had to do ‘what was right for her physical and mental health’, but will this be enough to keep her name in lights?

 

 

 

 

 

 

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Track Review: Nielsen Reaveley – Milk Train

unnamedNielsen Reaveley is a singer songwriter born in Brighton and living in London. This Pop up and comer has already played stages such as Latitude Festival and Ronnie Scott’s Jazz Club and recieved airplay from BBC Radio 6.

His latest release “Milk Train” graced our airwaves on 14th June and since then I have been infatuated with this soon to be anthem. The main vocal is subtle yet passionate and is set on telling the story of the song, a story that many people of the younger generations will be able to relate to:  “a certain type of night out – the kind that, inevitably, ends on the 4am train home as a hangover begins to kick in.”

This latest work was in collaboration with award-nominated producer Matthew Parisi, who was songwriter Mike Stock’s principle sound engineer for over four years. Parisi has previously worked with artists such as Chris Martin and Kylie Minogue. Parisi discovered Nielsen through one of his videos on Youtube and the magic happened from there.

I can predict that this track will be the perfect start to anybodys night out or party for years to come, I’m certainly going to add it to my party playlist and already find myself listening to it over and over again. I’d like to round this off by saying how refreshing it is to hear great songwriting still coming to the forefront of todays music industry.

You can stream “Milk Train” HERE

Does Listening To Music Increase or Hinder Productivity?

This is a debate that’s been going on for as long as I can remember, especially in schools and in the workplace. Everybody has their own way of working of course, some prefer complete silence whereas others want a full on rock concert going on in their office.

There has been test after test to determine what the “right answer” is and it seems like there is never going to be anything completely definitive – the correct answer purely depends on the person and the situation.

For exmaple, I find that listening to music whilst I work helps me focus on the task at hand (like writing this post) and block out everything else around me – l’ve also used music to help my memory when it comes to subjects that I’m rubbish at like Maths. My Maths tutor at college was amazed at the affects music had on me, suddenly something  I couldn’t do 10 minutes ago was as simple as 1 2 3 (no pun intended but feel free to laugh.)

Now seems like the right time to introduce you to an infographic created by WebPageFx, an internet marketing company. I discovered it from an article on the Linkedin Business blog and was both pleased and blown away by the numbers, have a look:

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As you can see from the above, the overall concensus is that listening to music whilst you work is the best thing for you to do. Lately I’ve been making the effort to read up on music and the brain and am putting a lot of time into showcasing the importance of music therapy for those with mental illnesses. Music has incredibly positive affects on the human mind – the infographic shows that increased concentration and productivity is one of them.

Of couse there are people that can’t work with music in the background which is fine. Sometimes I have to turn it off because I’ll find my musician’s brain taking over and I’ll start analysing the song, it’s a habit of the job I suppose – but 9 times out of 10, I can’t survive those 2000 word Music Education essays without rocking out to my favourite aritsts!

What does your experience with music and productivity look like? Leave your thoughts and lets discuss!

Track Review: Dream On My Baby – Dom Louis

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Dom Louis is a singer-songwriter based in Toronto, Canada. Having recently signed to Cartoon Records in London, he has released his debut single titled “Dream On My Baby.”

I am absolultely in love with this track, I can tell just from that one released that Dom has a really interetsing story to tell and a bright future ahead of him in this industry. He is like a new wave in the country-folk genre, mashing together the sounds of his influences whilst keeping the essence of what he is about as a songwriter and musician.

I honestly don’t think I have gushed about a track this much since I discovered Maggie Rogers three years ago and she went on to sign to a major label and shoot to the top of the music industry – I really hope the same happens to Dom!

“Dream On My Baby” tells brings so many images into my brain, I can imagine going on a summer roadtrip having this play out through the speakers, taking a long journey to happiness and peace. Dom’s voice coupled with the serenic sounds of acoustic guitar and violins brings me complete sollitude and I can imagine  it will do the same to the people that hear it.

Dom Louis may not be a wordwide sensation yet, but I can put money on the fact that he will be. Hopefully I’ll get to meet this fututre chart topper and see him live someday, I’ll definitely be looking out for more of his music.

Links to Dom:

E.P Review: Drakmah – Storyteller

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Drakmah are an Indie Alternative Electronic band, formed in 2016 in Naples, by Stefano “Learning Panda” Mattozzi (keyboard/lead vocals), David Rapicano (guitars/keyboards/backing vocals), Mario Manzoni (drums) and Gianmarco Angelone (bass). The band is now, partly, based in London.
Their debut single “Storyteller” was released in May 2017 so I’m a bit late to the Drakmah party but I figured I’d check them out either way and I was immediately drawn in by their whacky electronic, keys driven sound.
9.jpgLike a lot of unsigned bands I get asked to review on the site, these guys seem determined to stand out from the crowd. The vocals aren’t completely perfect and it did throw me off a little because it didn’t match the almost perfect instrumental production but it’s clear that Drakmah are wanting success and willing to work hard for it in the long term.
The second track “Ithaca” is filled with this infectious guitar riff that sits perfectly within the vocals smothered in reverb and various samples embedded in the track. Overall, the Napels natives seem to have created a unique world for the listener of their music, whilst at the same time keeping their work “normal” enough to be enjoyed by the average Joe.
Although this EP sounds slightly less polished than I was expecting, it’s clear that Drakmah are aiming for greatness within their music and I think if they work hard enough, they’ll get it.
“Storyteller” is definitely on my playlist, who else?
You can listen to “Storyteller” here: https://drakmah.hearnow.com

Album Review: Maggie Rogers – Heard It In A Past Life

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The album artwork for “Heard It In A Past Life”

Maggie Rogers came to fame after gaining the chance to have her  track “Alaska”  critiqued by Pharell Williams. He was so impressed he got emotional and declared “I don’t think there’s anything I can say about that to make it better.”

The video of their masterclass went viral and Maggie became  an accidental star, through the ranks of the industry and eventually getting signed by Capitol Records. Since her life changed forever, she has released her debut album titled “Heard It In The Past Life.”

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Maggie with “Happy” singer Pharrell Williams

 

The first thing I noticed about the album is that it is incredibly production heavy, although this wasn’t a surprise to me as this follows the trend of her previous releases. The opening track “Give A Little” sets the tone of the entire album with a really catchy chorus, great vocal production and solid instrumentation.

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Rogers at Capitol Records 75th Anniversary

Having not listened to Maggie for a while before this album, it took me a second to get used to her sound but I immediately fell in love with her music all over again. She is so unique and she’s never been scared to push the boundaries of the norm and express her creativity as she sees fit.

“Heard It In A Past Life” is the perfect blend of “over-produced” Pop and honest, emotive and grab-you-by-the-balls songwriting. Rogers has got a 50/50 balance of the innocence of your typical young, uncorrupted artist and the business sense of an industry yes girl, everything a label could ask for.

This album was long awaited and I was thinking that Maggie been one of the unfortunate cases that fell through the corporate cracks, how wrong I was! She has timed  this release just right, hopefully the first of many!

The debut release of student turned viral sensation screams one thing to me “I’m Maggie Rogers and I’m coming for stardom with everything I’ve got!” She doesn’t have to brag about how amazing she is, her music and work ethic speak for themselves.

I feel like I know Maggie personally after watching her shoot to the top and I couldn’t be prouder of who she is and the work she is putting out.

If you want something fresh but comfortable, go and listen to “Heard It In A Past Life.”

 

My 2019 Playlist (So Far)

images.jpegI’ve always had an extensive and varied music taste. From Jazz, country, rock and everything in between, its something I’ve always been able to use to my advantage as a session musician because I am comfortable when it comes to playing different styles and genres. I thought I’d give you all an insight into the music I listen to with a quick overview of my playlist for 2019.

  1. Back To Life – Rascal Flatts

I became a Rascal Flatts fan about four years ago when I discovered their song “I Wish.” In fact, it was this particular group that got me into country music in the first place. I was very pleased to discover that they had been released new music (although I’m a fan I don’t actively seek their releases) and found “Back To Life” on the list of new songs. I played it, and I loved it, there’s so much joy and emotion in the song and I really connected with the lyrics.

2. Home – Nickelback

Nickelback are one of those bands that are much like Marmite, you do either love them or hate them. I am one of the people who don’t have a bad word to say about their music, it’s intense and high energy and really gets you in a pumped up mood. The same can be said for this song, it has a great balance of intensity and calmness in the instrumental and vocal arrangement and really gets me riled up whenever I have a big day ahead.

3. I Only Have Eyes For You – Jamie Cullum 

If you know me, you’ll know about my obsession with Jamie Cullum. Jamie has been one of my  biggest musical influences for a long time now and I can never get enough of his music. His take on this classic standard is nothing short of a masterpiece, he respects the integrity of the orignal track whilst putting his own unique twist on it, something that Jamie has been great at throughout his career.

4. Lingus – Snarky Puppy

Go to most music universities and pretty much everyone you ask will have heard of this song and better still, be aspiring to play it note for note on their instrument – I’m still struggling to even touch that monstrous keys solo from Cory Henry, I will get there one day! Lingus is definitely my favourite instrumental track, it never gets skipped when it comes on and watching live videos of it gets me drooling like a baby. If you like weird time signatures and dirty solos, Snarky Puppy are the band for you.

5. Everything She Wants – Wham!

Wham or George Michael usually fall onto the guilty pleasures list for most, not for me. The arrangement and groove of this track really get to me, it’s a massive 80’s banger like most George stuff but I just keep coming back to this over and over again. Ironically, it’s one of the songs NOT in the set list for the George Michael tribute band I’m in, might need to sort that.

6. Lose Yourself – Eminem 

One of the first Eminem songs I heard and still on the playlist today, this is the perfect track to get anyone out of the dumps and give them a fresh burst of motivation. In fact, the lyrics of this one are what frames my drive and desire to not give up when working my way up the industry ladder, or  when having a tough day at uni working through my degree – I even put it on before a show sometimes to get the blood pumping.

7. Hell Above – Pierce The Veil

I was introduced to the world of metal through my younger brother when he was going through this particular phase. It took me a while to adjust to the style of music I had previously dismissed as “just noise”, but I got there and haven’t looked back since. Pierce The Veil are much like Nickelback in the sense that they receive a mixed reception from the metal community, some swear by them and others instantly insult anyone caught listening to them. I’m not a huge metalhead, I just happen to like the agression in their music, don’t ask.

8. Do I Do – Stevie Wonder

Another artist integral to my musical develpoment has been Stevie Wonder. One of my favourite tunes to play is Supersition but by far my favourite tunes to listen to is Do I Do. Like most Stevie tracks, it is less complicated than it sounds when broken down, that keys run is a different story though, will I ever be able to be fast enough to play it? who knows.

9. Phsyco – Muse

I heard this song around two years ago whilst studying music at college. Many of my classmates seemed to develop a Muse obession during the final year and I was introduced to this song through them, it comes on most days when I put my headphones in and takes me instantly back to my college days, some of the best days of my teenage life.

10. I write Sins Not Tragidies – Panic! At The Disco

For years, I heard this song and could never get the name of it. I eventually met a huge Panic! fan and she finally gave me the name of the song, it’s been on my playlist ever since, I doubt it’ll ever be replaced. This one is also the soundtrack to many a teenager’s “emo phase” – I don’t think I had one of those? You’d have to ask my parents I guess.

And that wraps up my 2019 playlist so far! I hope you enjoyed delving into my musical world with me and have hopefully some more songs to add to your playlist!